Black Coal and Red Bandanas: An Illustrated History of the West Virginia Mine Wars
Black Coal and Red Bandanas: An Illustrated History of the West Virginia Mine Wars
Black Coal and Red Bandanas: An Illustrated History of the West Virginia Mine Wars
Black Coal and Red Bandanas: An Illustrated History of the West Virginia Mine Wars

Black Coal and Red Bandanas: An Illustrated History of the West Virginia Mine Wars

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The first graphic novel published by Working Class History, written by Raymond Tyler, illustrated by Summer McClinton. Edited by Paul Buhle within introduction by Shaun Slifer and foreword by Gordon Simmons.

In the early twentieth century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia mine wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multiracial, immigrant and native-born miners of Appalachia.

Our illustrated history begins with Mary Harris ā€œMotherā€ Jones's arrival at the turn of the century. Whitehaired, matronly, and fiercely socialist, Jones became known as the ā€œminersā€™ angelā€ and helped turn the fledgling United Mine Workers into the nationā€™s most powerful labor union. ā€œPray for the dead and fight like hell for the livingā€ was her famous battle cry.

In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US.

On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small town in ā€œBloody Mingoā€ county. In an event soon known as the ā€œMatewan Massacreā€; the pro-union, quick-draw chief of police Smilinā€™ Sid Hatfield became an unexpected celebrityā€”but also a marked man.

Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of ten thousand armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War.

This graphic interpretation of peopleā€™s history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.

Praise

ā€œIt is past time to use the unique attributes of graphic arts to tell the remarkable story of the West Virginia Mine Wars.Ā Black Coal and Red BandanasĀ applies the stark colors of its title to allow the reader to visualize the world in which it is set.ā€
ā€”Denise Giardina, author ofĀ Storming Heaven

ā€œBlack Coal and Red BandanasĀ excels at delivering history through the unique narrative strengths of comics. By emphasizing character-driven drama at the heart of an expansive movement, Tyler and McClinton convey decades of struggle with humanity and clarity.ā€
ā€”Nate Powell, illustrator of theĀ MarchĀ trilogy andĀ Lies My Teacher Told Me: A Graphic Adaptation

ā€œBlack Coal and Red BandanasĀ is an accessible and inspiring piece of labor history chronicling the stories of ordinary West Virginians who rose in pursuit of justice. Thoughtfully written narrative joins rich artwork to present the saga of Blair Mountain in a way that will captivate readers of any age or background.ā€
ā€”Elizabeth Catte, author ofĀ What You Are Getting Wrong About Appalachia

ā€œAn immensely important addition to the labor canon,Ā Black Coal and Red BandanasĀ brings readers right into the thick of the Mine Warsā€™ hidden history, when working people of various creeds and colors banded together to fight the ā€˜thug ruleā€™ of industrial overlords who valued profit over human life. An empowering story for our times.ā€
ā€”Taylor Brown, author ofĀ Rednecks

ā€œThis is an exciting addition to the literature about a key period of US history. The sport of ignoringā€”even suppressingā€”labor history has just gotten tougher for those who wish it to remain hidden.ā€
ā€”Ginny Savage Ayers, coauthor ofĀ Never Justice, Never Peace: Mother Jones and the Miner Rebellion at Paint and Cabin Creeks

ā€œOne of the enormous holes in the US school curriculum is the history of working people and working-class struggle. Through compelling illustrations and storytelling, Black Coal and Red Bandanas alerts young peopleā€”and all the rest of usā€”to one of the most significant periods of US labor history. This book is a gift to educators who want our students to learn a fuller, more accurate story of this country.ā€
ā€”Bill Bigelow, curriculum editor of Rethinking Schools and codirector of the Zinn Education Project

ā€œThis enthralling graphic history effectively takes us back to an earlier era with you-are-there intensity, handsome art, and authentic dialogue. The heroically radical Mother Jones is, alone, worth the price of admission. You will not regret time spent reliving this forgotten history and may see its relevance today, no matter which side of the political spectrum you identify with.ā€
ā€”Jay Kinney, editor ofĀ Anarchy Comics

ā€œIf you want to get a first taste of the struggles of American workers,Ā Black Coal and Red BandanasĀ is a great place to start. Youā€™ll learn about the conditions that led coal miners to revolt, how they organized, and how they conducted one of the most militant struggles in labor historyā€”all revealed through dramatic imagery and vivid storytelling.ā€
ā€”Jeremy Brecher, author ofĀ Strike!

ā€œI hope this detailed graphic treatment introduces a new audience to one of the most militant labor struggles in the history of the US. Highlighting the contribution of Black miners, and how workers teamed up to fight the bosses instead of each other,Ā Black Coal and Red BandanasĀ might just be the graphic novel we need right now.ā€
ā€”Josh MacPhee, cofounder of Justseeds Artistsā€™ Cooperative and Interference Archive

ā€œThis book opens up a visual portal into an otherwise inaccessible space and timeā€”a portal that rich and powerful people have tried to seal shut for over a century.Ā Black Coal and Red BandanasĀ is an accessible, exciting, and beautifully rendered celebration of one of the most suppressed and inspiring moments in US history.ā€
ā€”Sam Wallman, author ofĀ Our Members Be Unlimited: A Comic about Workers and Their Unions

ā€œBlack Coal and Red BandanasĀ vividly tells the story of the dramatic faceoff between American workers and the coal barons, along with their police forces, private detective provocateurs, and gun thugs. The West Virginia Mine Wars drew the lines clearly. Which side are you on?ā€
ā€”Susan Simensky Bietila,Ā World War 3 IllustratedĀ collective member and contributor toĀ Wobblies! A Graphic History of the Industrial Workers of the World

ā€œAs their lamps were beacons of life underground, their bandanas became beacons of courage on the surface.Ā Black Coal and Red BandanasĀ brings that tenacious spirit to life in this recounting of one of Americaā€™s fiercest and longest labor struggles. Coal companies tried to bury these two decades of struggle along with countless bodies, but thanks to this book they will live on.ā€
ā€”Mitch Troutman, author ofĀ The Bootleg Coal Rebellion: The Pennsylvania Miners Who Seized an Industry, 1925ā€“1942

About the Contributors

Raymond TylerĀ is a comics writer from Appalachian Georgia currently residing in Nyack, NY. Heā€™s a longtime social justice and labor activist, bridging ā€œhistory from belowā€ with comics. Raymondā€™s most recent work is the horror comic seriesĀ Amputation Capital.

Summer McClintonĀ is a painter and comic book artist based in the Bronx. She has illustrated twelve books, including the Xeric Awardā€“winningĀ Thread, Michael Demonā€™sĀ Masks of Anarchy, and Harvey Pekarā€™sĀ Huntington, West Virginia ā€œOn the Fly.ā€Ā She is an award-winning painter, illustrator, and art director whose comic work tends to favor notable historical figures engaged in the ongoing fight for social justice.

Paul Buhle,Ā retired senior lecturer at Brown University, is the author or editor of many volumes on the left in the US and Caribbean, including the authorized biography of C.L.R. James, and in recent decades the editor of more than twenty historical, nonfiction graphic novels.

Shaun SliferĀ is a multidisciplinary artist and nonfiction author based in Pittsburgh. He is the creative director at the West Virginia Mine Wars Museum and a founding member of the Justseeds Artistsā€™ Cooperative.

Gordon SimmonsĀ is a retired union organizer and is president of the West Virginia Labor History Association. He is now employed as a public defense investigator and an adjunct professor at Marshall University.

Author:Ā Raymond Tyler ā€¢ Illustrated by Summer McClinton ā€¢ Edited by Paul Buhle ā€¢ Introduction by Shaun Slifer ā€¢ Foreword by Gordon Simmons
Series:Ā PM Press / Working Class History
ISBN:Ā 9798887440590
Published:Ā 10/15/2024
Format:Ā Paperback
Size:Ā 7 x 10
Pages:Ā 136